Camera Shots and Angles

Eye level shot - There are as many camera angles as there are shots, but in general they can be classified in three ways, eye level, high angle, and low angle. The eye level shot is set up so that the camera is at the eye level of the subject (not that of the camera operator). If the subjects are sitting down, the camera must be lowered to be at eye level. An alternative is to raise the seats with stools or a riser so that the camera operators can stand comfortably with eye level shots.

Eye level shots put the viewer on an equal status with the subject.

High angle shot - The high angle shot looks down on the subject. As the words imply, it puts the viewer in a superior position to the subject, or conversely, it makes the subject appear weak or inferior.

Low angle shot - The low angle shot, in contrast, looks up at the subject. This gives the subject the appearance of strength or power.

Picture Composition

Here are a number of rules of thumb for good picture composition, Like all rules of thumb, they can sometimes be broken if you break them purposefully and consistently. For example, if you were trying to give viewers a sense of claustrophobia, you might choose to ignore the head and nose room rules and manipulates the subject and the frame.

Head room - Keep the subject high in the picture, especially when you are framing them fairly close up. Putting too much space above their head makes them look weak. Some directors actually like to cut off the top of the head in the frame, but most like to put a small space at the top of the frame. You must find the balance that feels appropriate to you.

Nose/lead room - Put more space in front of a person's face in the direction that they are facing. The further they are looking away from the lens, the more you should "lead" them, the more space you should have.

Cut people carefully - Avoid putting the bottom of the frame at natural articulations of the body such as the neck, elbows, waist, or knees. Cut the image between these features to avoid optical distortions.

Avoid things growing out of people - "On our honeymoon, my wife and I set up a nice shot in front of a windswept tree in Monterey and asked a passerby to trip the shutter for us. He eagerly moved himself and us around until; you guessed it, when we got the picture back we had a tree growing out of our heads. In his passion for symmetry he had overlooked the bizarre effect of the merger of background and foreground in 2- dimensional images"

Center unless balanced by something else - Center the subject in the frame unless other objects or the subject's own movement or gaze in a direction not directly into the lens balance the offset.

Depth - Composing your shot with objects in the foreground and background, in addition to the subject in the medium ground, adds depth to your pictures.

Types of shots

The following types of shots come in handy when shooting people with a video camera.

2-shot - The 2-shot, or a shot with two people in relatively equal balance, is useful for very short conversations or for showing the two people react simultaneously

Over the shoulder - The over the shoulder shot is used for longer conversations, and establishes near eye contact between the subject and the viewer, over the shoulder of another subject. With two cameras (or two takes), you can cut back and forth between the over the shoulder shot of one subject to the over the shoulder shot of the other. The viewer has more of a sense of being involved in the conversation

Show and tell - Always show the viewer what is being talked about while it is being talked about.

Shot Sequencing - A typical sequence in telling a "story" might go as follows.

	Long (established) shot to present the context and show who is there. Go in closer, in stages, as the content becomes more personal or interesting. Use close-ups to see details, like objects held in hands, or facial expressions. Come back out to medium or long shots to reorient the viewer when things change. Close with a medium or long shot to give the viewer psychic "space" in which to reflect on the scene.

Camera Shots
	
Extreme Close-up (ECU) - An Extreme Close-Up, sometimes called a "tight close-up," might perhaps frame only a part of a human face (an eye or the mouth), or perhaps a hand or foot. Extreme Close-Ups can in fact frame anything very small. This is a common shot found in video demonstrations of intricate procedures (e.g. dissections, drawings, etc.)

Close-up (CU) - This camera shot, sometimes called a head shot," usually frames an object about the size of a human head usually not including shoulders

Medium Close-up (MCU) - This camera shot indicates a space equivalent to a person's head and their shoulders

Medium Shot (MS) - This shot includes space which would frame a person's head and torso. This shot can also encompass two people standing next to each other filmed from the waist up. Two people sitting at a desk, such as can be seen in television newscasts, represents an example of a Medium Shot.

Medium Long Shot (MLS) - A Medium Long Shot can frame one or two people standing up, that is, their entire body

Long Shot (LS) - A Long Shot will be able to take in an entire room or large group of people. When the camera pulls back at the end of a newscast to allow you to see the entire set (cameras, desks, cables, lights, etc.) they are using a long shot

Extreme Long Shot (ELS) - An extremely long shot might encompass a picture of an entire house or, in fact, anything large. An extreme example can be found in the opening shot of "The Sound of Music." Here the camera actually frames several mountains, and then zooms in until we see Julie Andrews singing and smiling.